![gotan project tango lunatico gotan project tango lunatico](https://chrisnsue.files.wordpress.com/2011/08/gotan-4.jpg)
It came in the form of “Lunático”, a direct tribute to Carlos Gardel and the founding fathers of tango. This long break from the studio gave them time to reflect on their follow-up effort, which would need to be a real step forward and not just a pale imitation of the brilliant first album. C' un gusto stuzzichevole nel chiedersi, guardando al passato: 'Che cosa sarebbe successo se.' sostituendo un a. The record was spun all over the planet and GOTAN PROJECT embarked upon an extensive two-year world tour. Tutto sguscia via, tutto dipende dal caso. It was a perfect crossover effort, peppered with references both subtle and explicit and appealing to tangodancers, clubbers and a wider audience. The time had come for “La Revancha Del Tango”, the trio’s first album, released in 2001. Several maxi singles fueled the buzz: in short order demand for remixes was high and the best compilation projects were reserving choice space for this nuevo tango electronico. With time and dedication, this close encounter of a third kind resulted in a potent mixture of distinguished dub and sophisticated house. To avoid slipping into clichés as they explored the genre, they enlisted the talents of the singer Cristina Vilallonga, Nini Florès on bandoneon and Gustavo Beytelmann on piano. They drew on sources with little in common other than a whiff of cinematic melancholy. No small-time musical pirates these, but veritable golddiggers in search of musical nuggets.Īfter several experiments they were convinced they had found in Tango, and Argentinian music in general, fertile ground for developing original new music.
![gotan project tango lunatico gotan project tango lunatico](https://www.picclickimg.com/d/l400/pict/384346683956_/Gotan-Project-Lunatico-CD-?-FREE-SHIPPING.jpg)
It all began in 1998, in the heart of Paris, when three complementary personalities came together: Argentinian guitarist EDUARDO MAKAROFF, French turntable aesthete PHILIPPE COHEN SOLAL and the Swiss beats programmer CHRISTOPH H. The noble spirit of gaucho has been reborn in an exciting new form. After all, they created a new kind of electronic fusion in taking the tango, street, and folk music forms from Latin America (played by studio musicians) and melding. “ Tango must be released from the monotony which has characterized its harmonies, melodies, rhythms and aesthetic.” These words, spoken by the great tango visionary Astor Piazzolla, serve as a mantra for GOTAN PROJECT, an unprecedented fusion of tango and the latest musical technologies. After the global smash that was La Revancha del Tango, issued in 2001, expectations for Gotan Project's Philippe Cohen Solal, Christoph H.